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Wednesday, November 30, 2022

Carolina: a sound investment, year after year - The Well : The Well - The Well

In a recently published editorial, Provost and Chief Academic Officer J. Christopher Clemens made a compelling economic case for Carolina, pointing out the multiplier effect the University has on money coming from both the General Assembly and tuition.

“If I asked you for a dollar on the first of July,” he wrote, “and told you that I was going to use it to help cure diseases, develop new technologies for energy storage, advise county and city governments on storm water management, perform symphonies, produce works of art, teach first generation college students, promote the state of North Carolina to the nation and world, and give you the dollar back at the end of the next June along with some extra change, you would think that deal was too good to be true.”

For The Well’s occasional series about University finances, Behind the Numbers, we adapted the provost’s article into a Q&A.

The North Carolina legislature sends approximately $540 million dollars in appropriations to the University every year. How does the University’s research enterprise multiply that investment?

Our faculty and staff multiply the money by raising $1.16 billion more dollars in externally funded research, an amount that places Carolina in the top 10 federally funded research universities in the U.S. — higher than Harvard, MIT or UCLA. Carolina research develops new cancer therapies, supports highway safety, helps understand the effect of storm surges on the nation’s coastlines and even discovers new exoplanets.

Research money employs about 9,500 people in 90 counties of North Carolina and generates $90 million in purchases from 6,500 businesses in 95 of our counties.

Are there multiplier effects from the tuition dollars collected by Carolina?

UNC collects over $400 million dollars in tuition from almost 30,000 graduate, undergraduate and professional students. Much of this money comes from outside the state and contributes to our state gross domestic product; the rest keeps tuition dollars at home where they can work for the people of North Carolina, while providing the No. 1 best bargain in higher education for students from North Carolina.

This year, our students came from 98 North Carolina counties and 40% of them were from rural areas. Eighteen percent of these students will be the first in their families to graduate from college. They will become the physicians, lawyers, artists, historians, business executives, government leaders, engineers and teachers of tomorrow. They will emerge with a great education, a diploma from one of the top five ranked public universities and well-prepared to be the workforce of the future that will attract new industries to North Carolina.

What other benefits does North Carolina reap from investment in the University?

In addition to teaching and research, the University supports innovation. Ideas and inventions from Carolina researchers have led to the formation of 274 North Carolina companies. These companies employ over 9,000 North Carolina citizens and generate $14 billion in annual revenue in our state. Together with the University’s affiliated enterprise, UNC Health, itself a $4B enterprise, these companies and our campus research operations represent 2.9% of the state’s gross domestic product. The estimated tax revenue from this slice of our economy is more than the $540 million in appropriations allocated to us.

What key message do you hope readers will take away from the case you’re making?

Every dollar UNC-Chapel Hill receives from the state legislature comes back to the taxpayers with spare change.

Even though it sounds like a deal that is too good to be true, the public employees of the first and most public university in the U.S. deliver on this promise year after year, and I am grateful for the work they do.

It’s an investment the people of North Carolina can make with confidence.

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School districts across the sound cancel, delay class, with more snow on the way - MyNorthwest

After a sprinkle of snow across the Puget Sound region, several school districts are delaying or canceling classes for students today.

The areas expected to be impacted with the most snow are Kitsap and Snohomish counties and the Cascade foothill range, where snow totals range from 4 to 10 inches, but there are some higher amounts at elevation.

As a mixture of rain showers and light snow continues in the region throughout the morning, drivers should be extra cautious, officials warn.

  • Winter Storm Warning is in effect for King and Snohomish Counties through 11 a.m. Wednesday, with up to 4 inches of snow possible
  • Winter Storm Warning is in effect for the mountains and Kitsap/Hood Canal, with over 4 inches of snow possible

Several school districts, including North Puget Sound School Districts,  King Co. School Districts, Lewis Co. School Districts, Kitsap & Mason Co. School Districts, Island & Snohomish Co. School Districts, Clallam & Jefferson Co. School Districts, and some area private schools are closed or delaying classes for students due to the weather.

  • Edmonds SD- is closed
  • Index SD- Closed, No out-of-district transportation
  • Monroe (WA) School District-Closed. No out-of-district transportation, all activities canceled.
  • Mukilteo SD- Closed due to snow and multiple power outages
  • Snohomish SD- closed
  • Sultan SD- Closed, No out-of-district transportation
  • Lake Washington SD- Closed. No Extended Day Care. All programs and activities canceled. No athletics, events or public building use.
  • Northshore SD- Closed. No after-school or evening activities, athletics, or band/orchestra, and there is no out-of-district transportation. Admin Center will be closed to the public.
  • Riverview SD- All schools closed today. All meetings, field trips, afterschool activities canceled. No out-of-district transportation or Extended Day services provided.
  • Shoreline SD- Closed
  • Central Kitsap SD- Closed. No out-of-district transportation. No activities or events with possible exception of some high school activities. For details, visit www.ckschools.org
  • Mary M. Knight SD- Closed

A full list of school district closures and delays can be found at MyNorthwest.

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School districts across the sound cancel, delay class, with more snow on the way - MyNorthwest
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Tuesday, November 29, 2022

Sound Devices Unveils A20-Nexus Astral Series Wireless Digital Receiver - TV Technology

REEDSBURG, Wisc.—Sound Devices has introduced A20-Nexus Astral Series wireless receiver with SpectraBand technology, which supports a tuning range of 470 MHz to 1525 MHz and exceptional RF filtering, the company said this week.

The compact digital wireless receiver is designed for use as the hub of the Astral wireless range, which includes the A20-Mini and A20-RX, the company said.

The true diversity A20-Nexus digital receiver offers a wide tuning range, 8-channel support (with 12- and 16-channel support available via software with an additional license) and NexLink integrated long distance remote control, it said.

NexLink enables long-distance control of transmitters as well as Real Time Spectrum Analysis (RTSA). The A20-Nexus can be controlled with a mobile phone or tablet using a web app. The unit also supports Power over Ethernet (PoE) and Dante, the company said.

Among its features are GainForward to eliminate the need for adjusting transmitter gain and easy docking to any Sound Devices 8-series mixer-recorder via the A20-QuickDock, it said.

“The Astral Series is the culmination of years of research and development in wireless technology to design robust, versatile solutions for mobile RF professionals that can be used around the world,” said Sound Devices CEO Matt Anderson. “With A20-Nexus, we sought to not only provide the ultimate portable receiver for our customers in film and television production, but also the Astral Series to meet the rapidly growing needs for wireless in live event production, musical theater, corporate AV, houses of worship and more.”

Sound Devices is shipping the A20-Nexus, which has a manufacturer’s suggested retail price of $14,495.

More information is available on the company’s website (opens in new tab).

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Health officials sound the alarm about RSV surge as winter looms - Evanston RoundTable

Monday, November 28, 2022

Scientific Method: What does a black hole sound like? (Rebroadcast) - KGOU

More than a century ago, physicist Albert Einstein predicted the existence of black holes—points in space where gravity is so powerful nothing, not even light, can escape their pull. 

Since then, black holes have become fixtures in science fiction. They’re potent symbols of mystery in part because we know so little about them. 

But a lot has changed in the past decade. We understand more about these cosmic phenomena than ever before, including what they sound like

NASA originally released audio of the sounds black holes make in May. A tweet featuring the sound from the agency last week received millions of listens, sparking renewed interest in the subject.

“The misconception that there is no sound in space originates because most space is a ~vacuum, providing no way for sound waves to travel. A galaxy cluster has so much gas that we’ve picked up actual sound. Here it’s amplified, and mixed with other data, to hear a black hole!” the account wrote.

We speak to the scientist who led the project to capture the sound and two astrophysicists to better understand black holes—the one place where the laws of physics don’t apply. 

Copyright 2022 WAMU 88.5

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Scientific Method: What does a black hole sound like? (Rebroadcast) - KGOU
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Rich Textures, Rich Sound - The Toshiba TV M550L - PR Newswire

HONG KONG, Nov. 28, 2022 /PRNewswire/ -- Toshiba TV was announced as the Official Television of the FIFA World Cup Qatar 2022™. Since its release into local markets across the globe, the Toshiba TV M550L has racked up plaudits for its display, sound, and system performance which make it a worthy digital-age choice for quality home entertainment.

In line with Toshiba TV's commitment to innovative technology, the M550L packs in a number of distinguishing features for the best value achievable within its cost range. Built into its display interface is the remarkable Fine Texture Restoration feature, which allows the Toshiba TV M550L to optimize images and upscale them to the best texture for a near-4K picture vividness. Restoring images on the go keeps them in optimal precision for the viewer's relish.

Toshiba TV's M550L is also an audio powerhouse, equipped with the REGZA Power Audio PRO and the acoustically refined Dolby Atmos. These features combine to produce the thrilling bass and finely-tuned, yet natural-sounding pitches that the M550L is acclaimed for without any inconsistencies. Dolby Atmos' acoustics go a step further in redefining the soundscape that the Toshiba TV M550L creates, and brings the home cinema experience to higher immersive heights with the surround sound system.

The Toshiba TV M550L's blazed surround sound system points up the flawless transmission of sounds through multiple output channels that surround the viewer and fill the room with the loudest, yet pristine sounds from their watched contents. Whether for games or movies, the M550L's surround system is designed to deliver sounds with luxurious fidelity and mesmeric depths to complete the unforgettable viewing experience.

For more details, stay tuned to Toshiba TV on FacebookInstagramTwitterYouTube.

SOURCE Toshiba TV

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Rich Textures, Rich Sound - The Toshiba TV M550L - PR Newswire
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Sunday, November 27, 2022

Sound Generations wants to be your grandma’s IT so she can live longer, better - The Seattle Times

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Sound Generations wants to be your grandma’s IT so she can live longer, better  The Seattle Times

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Saturday, November 26, 2022

80+ Black Friday speaker deals that sound amazing - Popular Science

Whether you want a soundbar, towers, a Bluetooth party speaker, or a streaming system, we've collected the best Black Friday speaker deals live now.

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Friday, November 25, 2022

Give the Gift of Premium Sound With Bose's QuietComfort Earbuds 2 - CNET

This story is part of 84 Days of Holiday, a collection that helps you find the perfect gift for anyone.

Looking for the next generation of wireless listening? Bose's QuietComfort Earbuds 2 deliver a tailor-made experience that will level up your sound quality.

Why it's a great gift: The Bose QuietComfort Earbuds 2 are an amazing gift for anyone who appreciates high-quality sound. Thanks to Bose's CustomTune technology, you can easily and automatically adjust their sound to suit your ears' preferences. They're also comfortable, so anyone with an active lifestyle can use them to listen while on the go. 

The QuietComfort Earbuds 2 are so adjustable that your loved one will feel like you've given them a personalized, immersive sound experience designed. These earbuds are equipped with innovative noise-canceling technology, so when they're in your ears, you'll hear as much of the outside world as you prefer. Soften your surroundings or silence them completely -- it's up to you. Read CNET's Bose QuietComfort Earbuds 2 review.

What you'll pay: The list price of the Bose QuietComfort Earbuds 2 is $299 and it's worth so much more.

Read more: Best Wireless Earbuds for 2022

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Thursday, November 24, 2022

Dolby Atmos Surround Sound and Apple Music are Coming to Tesla Cars - CleanTechnica

Cut clutter & cost with Black Friday wireless surround sound systems deals - Popular Science

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

If you feel like your surround sound array is in disarray and your speaker wires may be even more tangled up than the strings of Christmas lights in storage, you need a wireless surround sound system. And if you need a wireless surround sound system, several of our favorites are deeply discounted right now. For instance, you can get the Nakamichi Shockwafe Ultra Wireless Surround Sound System on sale for $1,099.99 (regularly $1,499.99), or the even more advanced Nakamichi Shockwafe Ultra eARC SSE MAX on sale for $1,477 (regularly $1,899).

Our reviewer declared the Nakamichi Shockwafe Ultra eARC MAX in particular a literal and figurative blast offering loud, full-spectrum detail and realism. This 9.2.4-channel system, with 18 drivers total, delivers 1,300W/113 dB audio, and supports HDMI 2.1, optical, coaxial, RCA, and Bluetooth 5.0 aptX HD inputs with Dolby Vision/4K HDR/Dolby Atmos, and DTS:X compatibility. The four wireless surround sound speakers, dual 10-inch subwoofers, and Spatial Surround Elevation audio processing engines enhance the sense of spaciousness to the soundstage.

Want to explore other options? Here are the best Black Friday deals on the best wireless surround sound systems:

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Review: “The Sound of Music” at Paramount Theatre in Aurora - Chicago Tribune

If, like me, you see the great Rodgers and Hammerstein musicals as national treasures to be loved by young and old and protected for generations to come, the beautiful, deeply emotional new holiday production of the iconic title “The Sound of Music” at the Paramount Theatre in Aurora will fill you with a warm glow.

Paramount, as I have said many times before, is in a suburban class of its own when it comes to bespoke productions of family musicals, a consequence of the quality and scope of its production values, its remarkable level of consistency, its commitment to large acoustic orchestras (there are 17 players in the pit) and, of course, the beauty of its historic venue. Jeffrey D. Kmiec, the gifted designer bringing the Austrian Alps to Aurora, clearly understands that last point: his spectacular postcard rendition of the friendly mountains and protective abbey feels like a continuation of the Venetian aesthetic of this art-deco, Rapp and Rapp-designed venue, the crown jewel of Aurora’s downtown.

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But Amber Mak’s production hardly feels stuck in some traditionalist rut. It’s far too energetic and alive for that.

Alicia Kaori’s inquisitive, searching Maria bounces around the hills and the cloisters, joining the von Trapp children like she is merely the oldest member thereof. She’s extraordinarily fun to watch: charming, vulnerable, tuneful and, most importantly, present. She’s a fabulous contrast with Christopher Kale Jones’ chilly Captain von Trapp: Jones, a highly experienced vocalist, plays the naval dissenter as wound tight from past trauma. That’s not atypical, but the length of the personal journey that Mak and Jones set up in order for the man to return to ethical humanity is atypically lengthy, adding depth to the whole affair, or rather courtship.

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(From left) Milla Liss as Brigitta, Gage Richey as Friedrich, Julia Aragon as Liesl, Alicia Kaori as Maria, Savannah Lumar as Marta, Maddie Morgan as Louisa and Ezekiel Ruiz as Kurt in Paramount Theatre’s production of "The Sound of Music."

It’s part of the magic of this particular musical (which has a book by Howard Lindsay and Russel Crouse) that the audience immediately and intensely pulls for the relationship to work and in order for that to happen, you have to believe that the kids will be safe and happy (you do) and that this militaristic man has sufficiently changed his ways so that he won’t ever stifle Maria’s freedom and spark. And, indeed, that feels like the case here.

Mak has found a terrific group of singing von Trapps, led by the vocally accomplished Julia Aragon as Liesl, and the longtime Chicago musical star Susan Moniz, who I’ve enjoyed watching for decades, is on hand as the Mother Abess, the matriarch and moral guide star of the story. She knocks it out of the Alps, so to speak. And for a contrasting note of expedient cynicism, there is the old pro Stephen Schellhardt as the amoral Max Detweiler.

Ever since I saw Tom Stoppard’s luminescent “Leopoldstadt” on Broadway this fall, a play that argues vociferously that Austrians did far less than generally believed to stop the Nazis and the Holocaust, I’ve been thinking a lot about how much “The Sound of Music” both promoted and sanitized Austria’s post-Anschluss image of mountain purity, as typified by Maria and the nuns, not to mention the handsomely patriotic Captain von Trapp. Most Americans’ view of Austrian behavior during the war is colored by this postwar show, edelweiss, favorite things and all. It has been even more influential than most people realize; throughout the latter years of the 20th century, and now beyond, it has been like a singing commercial for the Austrian tourist board.

Maria (Alicia Kaori) and Captain von Trapp (Christopher Kale Jones) are caught in an embrace by (rear, from left) Brigitta (Milla Liss) and Kurt (Ezekiel Ruiz) in Paramount Theatre’s production of "The Sound of Music."

Musicals, of course, are not charged with historical accuracy, although Mak’s strikingly joyful show, to its great credit, still doesn’t run away from the darker themes of the second act, as some recent productions have. Traditional musicals like this one typically reflect people trying their best in difficult circumstances and strive to leave audiences with more hope that humans can find the courage to follow their hearts and make brave choices.

That’s exactly what this production, a perfect holiday outing, makes you feel.

One final note: The populist Paramount does not indulge in Taylor Swift-style variable pricing. Even on peak holiday nights this season, you will find reasonable, family-friendly prices for a show of this epic scale and rich quality.

Chris Jones is a Tribune critic.

cjones5@chicagotribune.com

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Review: “The Sound of Music” (4 stars)

When: Through Jan. 15, 2023

Where: Paramount Theatre, 23 E. Galena Blvd., Aurora

Running time: 2 hours, 40 minutes

Tickets: $38-$79 at (630) 896-6666 or paramountaurora.com

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The sound of waves: tracking the pandemic - The Lancet

Background silence, ambient noise.Wave in// Emerging unrest—distinctive—bass. Gradual loudness, high pitch, increasing frequency—and incidence rate// Wave out.Sudden blast: lockdown.

This is how the COVID-19 pandemic may sound, if one could hear it. As epidemiologists and music enthusiasts, with Pandemic Rhythms we aimed to reveal the sound of COVID-19 waves, by performing a data sonification, that is, a conversion of data patterns into an audible soundtrack. Sonification may complement standard approaches to conveying science by offering an auditory perception, which is intuitively accessible to most, including non-academic audiences. In a recent work, we extracted publically available national data of COVID-19 cases in Denmark from March 1, 2020, to March 1, 2022. For each week, we generated a 1-sec sound with a frequency (Hz) of two times the square root of the weekly number of new COVID-19 cases. Thus, imminent low frequencies reflect fewer cases, whereas higher pitch sounds tell of greater numbers of cases. Throughout, we introduced intercurrent sounds corresponding to the major public health policies implemented in Denmark: first, the shrieking sound of the lockdown; then, a hopeful tear at the introduction of vaccination; and finally, a blast signaling the end of restrictions. To turn this sonification into a sensible, meaningful experience that is representative of how the pandemic may have been perceived, we processed tone and timbre to reflect the dramatic and sudden reality faced by citizens. This is how our work—“pandemic rhythmics”—traces two years of a mute yet planetary phenomenon, making the COVID-19 waves audible to the human ear.

A few other scientists/artists carried out initiatives to enable a sensorial, aural perception of the pandemic. For instance, Pedro Rebelo at the Sonic Arts Research Centre, Queen's University Belfast, produced a sonification based on data from the WHO Situation Reports. Another work by an Italian cultural research centre—named “HER: She Loves Data” – used the COVID-19 Data Repository by the Center for Systems Science and Engineering at Johns Hopkins University, Baltimore, USA. Finally, a work by Rayam Soeiro and colleagues at the Music, Communication and Technology programme, University of Oslo, was based on combined data from multiple sources.

Sound-tracking the COVID-19 pandemic can be regarded as a translation of an inaudible phenomenon into a sensory experience, which entails entangling approaches born to art and science: it is a search for auditory aesthetics supporting a scientific surveillance and monitoring of a planetary public health issue. From a public health perspective, to ensure an effective and appropriate societal response to the pandemic it is crucial to gain endorsement of the population for a collective action, which is conditional on citizens understanding the COVID-19 evolution. While efforts have been put into data visualisation to communicate the burden of the COVID-19 pandemic, little attention has been given to the possibilities of data sonification. Major discourses meant to raise awareness of the outbreak within the population—such as the “flatten the curve” strategy—relied on forms of visualisation that required scientific literacy and rational thinking, rather than sensory perception. Just as a sudden shriek piercing the background rumble may be more effective to communicate danger than numbers and statistics, we believe that providing citizens with a sensory experience of the COVID-19 pandemic evolution could have been strategic, in complement to national statistics and public health discourses. Indeed, our human ability to perceive unseeable waves in our surrounding relies on our primary sense of hearing. From noise to harmonics and melodies, invisible vibrations in the air are translated into audible sounds by our ear, thereby making them perceivable. Perhaps except for the composer, a series of notes played on a piano are better appreciated by listening, rather than looking at a score on a sheet or soundwaves on a screen. Similarly, sonifying the COVID-19 data could allow for a direct sensory engagement of the audience with the pandemic evolution. Contrary to curves displayed on a screen or a board, perceiving sounds requires neither scientific literacy nor intellectualisation, but the primary sense of hearing. In this regard, data sonification may be a powerful instrument to democratise knowledge about the pandemic to all strata of the society, including citizens educated and non-educated in medical sciences.

This auditory, sensate knowledge of the pandemic provided by data sonification could be complemented by other types of scientific/artistic approaches. For instance, our primary senses of sight or touch could be reached by artworks playing with lights and colors or textures. Combining media (sounds, visuals, and textures or motions) could make a dynamic use of multiple aesthetics for a synergic sensory experience of the COVID-19 pandemic. Although we are not aware of such synaesthetic artworks, we invite the medical community to expand curiosity towards current scientific and artistic research works in response to a planetary public health issue.

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Wednesday, November 23, 2022

People Online Were Delighted When They Discovered What Skunks Sound Like - Twisted Sifter

A whole lot of people had no idea what a skunk sounds like, and they were, as a whole, not at all ready to hear it for themselves.

A video is making the rounds on Twitter and letting many people hear the call of the skunk for themselves for the very first time. A cyclist captured the footage of a mommy skunk and her four babies walking around having a chat, and it is adorable.

Skunks, of course, aren’t as adorable as they look and sound. The cat-sized mammal, native to the Americas, are capable of spraying a foul liquid – people have likened it to bad eggs mixed with burnt onion – when threatened.

They only deploy their smelly weapon when they’ve exhausted other options like stamping their feet, baring their teeth, slashing with their claws, or even standing on their hands (just wait) before spraying. The reason is that it can take up to 10 days for their smell reserves to replenish.

The spray isn’t harmful, though it should be a deterrent and it can cause problem if it gets into your eyes.

If you’re enamored with skunks now (from a distance), please enjoy this one doing a handstand.

And if you want more unsuspecting animals that make adorable noises, I give you a porcupine named Teddy Bear.

Another animal you’ll want to admire from afar for very good reasons…

twistedsifter on facebook People Online Were Delighted When They Discovered What Skunks Sound Like

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Tuesday, November 22, 2022

Sound On: GOP Biden Investigations, Rail Shutdown Threat (Radio) - Bloomberg

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Sound On: GOP Biden Investigations, Rail Shutdown Threat (Radio)  Bloomberg

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False reports of school shooters prompt lockdowns across Puget Sound - MyNorthwest

A series of false reports about active school shootings, known as “swatting,” occurred around the Puget Sound region Tuesday morning, prompting school lockdowns and, in some cases, evacuations.

This happened in Thurston, Snohomish, Pierce, Skagit, and Whatcom Counties.

Thurston County Sheriff’s Deputies said the call came in before 9 a.m. that there was an active shooter at Rochester High School. Multiple law enforcement agencies rushed to the scene and swept the building, finding no threat and no one with injuries.

Deputies believe this bogus call is connected to another one at Tacoma’s Lincoln High School on Tuesday.

The Mount Vernon Police Department (MVPD) dispatched to Mount Vernon High School Tuesday morning after receiving a report that multiple students had been shot in a classroom. The MVPD determined the report was a “swatting” incident, and no students were harmed.

Starbucks to close Capitol Hill location after safety concerns

Swatting refers to a hoax call placed to 911 that falsely reports an emergency such as an armed intruder, active shooting, or another critical incident that necessitates a large and immediate response by law enforcement officers and other public safety workers, possibly including a special weapons and tactics (SWAT) team, according to the National Association of School Resource Officers (NASRO).

“These false alarms are far from harmless,” said NASRO Executive Director Mo Canady in a press release. “They require high-speed responses with emergency lights and sirens that increase risks for responders and the public. They also divert limited public safety resources from other community needs and increase anxiety among students and others. These are some of the reasons that NASRO and Safe and Sound Schools decided it was important to provide guidance to SROs and school administrators.”

NASRO has even published an overview ahead of the school year on how to deal with and prevent instances of swatting.

Law enforcement is characterizing these swatting calls as “hoaxes,” but the FBI is currently investigating.

“We’re very grateful that they’re so responsive and obviously the response has been pretty consistent from the region,” said Chris Reykdal, the Superintendent of Washington State Public Schools. “It is also deeply troubling that anyone would think this is appropriate or funny or humorous in any way.”

Reykdal advised people to listen to law enforcement school officials instead of any speculation on social media to find factual and accurate information.

Assault and robbery at Marysville coffee stand leads to arrest

Law enforcement officials in South Carolina blamed a TikTok challenge in September for a series of school threats in the state.

“Unfortunately, this is mental health damage perpetrated by someone or some group that is harmful and [required] a huge consumption of law enforcement resources,” Reykdal said. “These are not funny and anyone perpetrating this is doing real damage to young people, educators, parents, and communities. And I hope law enforcement, I know they’ll take it seriously. I hope that if they can find out who was behind this, that there is a full pursuit here to hold them accountable.”

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False reports of school shooters prompt lockdowns across Puget Sound - MyNorthwest
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Parts of Long Island Sound have improved due to wastewater management - Connecticut Public

The Long Island Sound’s water quality has improved over the last year — for the most part. The latest annual report by environmental group Save the Sound awarded improved grades to most parts of the sound.

Long Island Soundkeeper Bill Lucey credited Connecticut and New York for getting major water pollution issues under control.

Lucey warned that now, it's up to residents to do their part.

“The problem now is us," Lucey said. "A lot of the nitrogen imports to the sound are from individuals, we're driving cars or exhaust is putting nitrous oxide up in the air. We have our individual septic tanks, which are leaching nitrogen into the ground. Nitrates, we have fertilizer on our lawns."

Lucey said despite continued effort to keep the water healthy, conservation efforts are hurt by climate change.

“What we're really dealing with is climate change," Lucey said. "So as the water warms up, it speeds up a lot of chemical reactions. And it also doesn't hold as much dissolved oxygen. So you can imagine a stagnant pool with a lot of fertilizer dumped in it's going to be full of algae and not a lot of oxygen. As things get hotter, that's the scenario we're starting to see.”

The report card contains 14 years of data from 50 bays around the Long Island Sound.

Bays closest to New York City remain poor without access to the ocean to flush them out. These are home to the most algal blooms and pollution.

Copyright 2022 WSHU. To see more, visit WSHU.

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Monday, November 21, 2022

Long Island Sound water quality shows concerns, promise - Long Island Business News

The 2022 Long Island Sound Report Card is out. Released last week, the report revealed that water quality improvements are leveling off, and featured concerns about rising water temperatures.

That’s according to the biennial report from Save The Sound, a nonprofit environmental organization based in Larchmont.

The organization has compiled water testing results from Long Island Sound over the last 14 years, and from four years of testing more than 50 bays and bay segments in the region.

“We’re finding evidence that investment in clean water infrastructure leads to measurable benefits for Long Island Sound,” David Ansel, regional director of water protection for Save the Sound, said in a statement.” It’s also clear that there is much more to be done, particularly in stressed bays throughout the length of the Sound, as well as in the western Sound.”

The report offers a letter-grading system. Highlights from the report revealed both “good news and bad news.” While some portion of the sound earned A+ grades, others did not fare nearly as well.

Among the concerns, the organization found that trends “towards improving open water quality have stalled in several portions of the Sound and poor grades in bays have persisted.” It also revealed that “previous gains in water quality may be threatened by rising water temperature in Long Island Sound,” according to Save the Sound. Those rising water temperatures can trigger damaging impacts on the marine environment. Rising temperatures increase the risk for hypoxia – low levels of oxygen in the water.

The “warmer the water, the less oxygen it is able to hold,” according to Save the Sound. “Many longtime residents of the region remember the severe hypoxic conditions that plagued the Sound back in the 1970s and 1980s, when fish kills were commonplace between Bridgeport, CT, and New York City.”

Still there were some hopeful signs about the Sound’s future, including good indicators about its eastern section, which has responded to protection efforts. And, even along the western portion of the Sound, the work toward reducing nitrogen pollution are “having a positive impact,” which is “demonstrated by modest improvement in open waters of New York City.”

The specifics

That compilation of 14 years of data showed that the coordinated efforts in not only conservation but also in improved wastewater treatment aided in cleaning the Sound.

The waters of eastern Long Island Sound continue to register high marks, driven by strong tidal exchange with the Atlantic Ocean and lower population density, relative to areas further west, according to the report. The Eastern Basin and Central Basin of the Sound received A+ and A grades.

Yet, after years of gradual improvement, particularly in the late 2010s, the Western Basin and Eastern Narrows stalled at B+ and C grades. That finding has prompted science advisors reviewing the data to warn about the potential for regression. The Western Basin and Eastern Narrows represent a large area of the Sound, from Bridgeport on the Connecticut shoreline and Port Jefferson on the Long Island shoreline, to New York City.

As in previous years, the Western Narrows of Long Island Sound received an F. Still, experts saw potential for improvement, noting that “[s]ubstantial financial investment in nitrogen reduction at area sewage treatment plants appears to be having a gradual, positive effect.”

The score for an indicator of water quality in the Western Narrows, dissolved organic carbon, rose from a “rock bottom 0% score in 2008 to a 43%,”according to Save the Sound. Combined with results from other indicators, the DOC grade still left the Western Narrows “short of a passing grade with much more work to be done. Still, the gains indicate that nitrogen reduction is having an impact.”

The news for bays was less promising. Of the 53 bay segments monitored, 57% received grades of C, D, or F, with a mere 11 bay segments earning an A. Bays are “highly susceptible to pollutants from their neighboring communities,” according to the Save the Sound. While local efforts underway have produced some improvements, the low overall grades show the impact that pollution has on coastal waters. This is especially true where tidal exchange with the open Sound is low and pollutant loads from rivers and streams feeding into bays are high. The report reaffirmed prior evidence that the quality of nearby open water in the Sound does not always predict the quality of water in adjacent bays. Even bays located near the most pristine sections of open water can still score poorly, due to localized pollution and other factors.

As for rising water temperatures, Jamie Vaudrey, one of report card’s science advisors, shared this concern: “Reducing nitrogen pollution continues to be a critical issue which is only made worse with rising temperatures from climate change,” he said.” Implementing additional approaches for nitrogen reduction is an urgent priority in order to continue improving water quality in the Sound.”

“The good news contained in this report is that tactics designed to improve water quality in Long Island Sound have been effective,” Jason Krumholz, a science advisor behind the report, said in a statement. “It takes reliable long-term data to identify what is working and where, and just as important, what areas need more help. While progress has been made, continued efforts are necessary to meet our ultimate goals.”

More information about the report is available at SoundHealthExplorer.com.


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Lockdowns Didn't Reduce Ocean Sound Levels - DeeperBlue.com - DeeperBlue.com

Researchers have found that surprisingly, unlike previously thought, the lockdowns of 2020 and economic downturns from the COVID-19 pandemic did not reduce underwater sound levels.

Previous reports suggested that the soundscape of the Atlantic Ocean’s continental shelf saw a significant reduction. However, this now seems not to be the case.

The study was conducted at the University of New Hampshire, with the results published in the Journal of the Acoustical Society of America Express Letters. The scientists studied seven sites from Virginia to Florida where hydrophones were placed in 2017 and retrieved in 2021. While the study found that commercial shipping noise decreased, sound from vessels like pleasure craft and fishing boats increased, resulting in no net change in noise level.

According to Professor Jennifer Miksis-Olds, the director of UNH’s Center for Acoustic Research and Education:

“It’s fascinating that oceans are so dynamic and variable; different regions really have different personalities based on the natural and human interactions that happen within those waters…Having that long-term time series was really critical because it allowed for direct comparison of years of data before COVID-19 hit. Acoustic measurements in the deep ocean are more scarce than in coastal waters, so this research provides another perspective on how the deep oceans were impacted — or not — by COVID-19.”

You can find the original research here.

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Lockdowns Didn't Reduce Ocean Sound Levels - DeeperBlue.com - DeeperBlue.com
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Sunday, November 20, 2022

Woven speakers by Paula Vogels carry sound of their own production - Dezeen

Design Academy Eindhoven graduate Paula Vogels has woven tubular speakers from copper wire and nylon fishing line to create an installation that explores the sounds and labour conditions of the textile industry.

The Re-Sounding Yarns project, shown at Dutch Design Week 2022, consists of eight suspended speakers that play a soundscape gathered from different weaving environments, ranging from the gentle rhythms of handweavers to the thunderous power looms used in factories.

When a sound signal is fired into the speakers, the copper wire transmits this signal to small magnets fixed to either end of the woven tubes, creating an electromagnetic field that vibrates and thereby generates a sound.

Audience member listens to a speaker within the Re-Sounding Yarn installation by Paula Vogels
The Re-Sounding Yarns installation consists of eight double-ended speakers

"I'm allowing the fabric to voice its production," Vogels explained.

A weaver herself, Vogels designed the installation to counter the perception of textiles as "silent" and highlight sound as an integral part of the weaving process.

"When my loom isn't working properly, I don't see it first – I hear it," she told Dezeen. "I started thinking about the way I use the loom almost like an instrument, where I make these rhythms and the more rhythmic I get, the more productive I am."

"And what does weaving sound like in different settings of the larger industry, which obviously spans from hand weavers in specialist textile labs to mass industrial weaving facilities," she added. "How can I actually understand sound as an indicator of what is happening in that space?"

Vogels undertook deep listening and ethnographic research to understand these different scales and discovered that – quite opposite to her own practice – the sound in some industrial settings can be so loud that it actually poses a danger to workers' health.

And while workers in western mills are usually given sound protection, Vogels says this is not the case everywhere in the world.

Close-up on the woven speakers in the Re-Sounding Yarn installation
The speakers are woven from copper wire and colourful monofilament

"Sounds are revealed not as inconsequential by-products of textile production but as indicators of the weavers' socio-political contexts, exploitative supply chains and labour conditions," she explained.

Vogels made her speakers from colourful monofilament fishing line and copper wire, hand-woven together in a circular pattern that could be opened out to form tubes.

The copper wire is responsible for carrying the electrical signal necessary to make the structure vibrate and produce sound, while the translucency of the monofilament is meant to showcase that there is nothing inside the speaker making the sound but the textile structure itself.

To amplify the resulting audio, Vogels inserted a clear plastic tube into each woven sleeve and bookended it with black listening cones. Together, the installation of eight speakers, shaped a little like double-ended trumpets, produces an audible hum similar to a white noise machine.

Vogels recorded most of the samples for the soundscape herself while visiting different mills and working in her own studio. These soundbites were then looped and layered together with recordings from giant factories in Bangladesh, which she found on YouTube.

Vogels was part of the Design Academy Eindhoven Graduation Show 2022 at Dutch Design Week.

Other textile designs on show as part of the design festival included an alternative-leather clothing collection made from soil and a burnt and shorn rug that visualises how drought is affecting Dutch landscapes.

The photography is by Ronals Smits.

Re-Sounding Yarns was on show from 21 to 30 October as part of Dutch Design Week 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Saturday, November 19, 2022

Sound Advice: A portable speaker that packs an auditory punch - The Union Leader

By Don Lindich

With the holidays coming up I will be highlighting gift ideas over the next few weeks, starting with a very fine portable speaker: the Tribit StormBox Blast.

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Friday, November 18, 2022

Produce Industry Leaders Sound Off on Critical Need for Immigration Reform - Greenhouse Grower

The International Fresh Produce Association (IFPA) took the stage at the National Immigration Forum’s 2022 Leading the Way Conference in Washington, DC, this week to elevate immigration as a pillar of agricultural and economic prosperity.

“The fruit and vegetable industry employs 2.2 million workers in all 50 states and added nearly $340 billion to the national output in 2022. We can’t do that without a reliable workforce,” said IFPA CEO Cathy Burns during a fireside chat with Bloomberg Law’s Andrew Kreighbaum. “Without immigration reform that ensures ongoing access to a skilled, dedicated workforce, we can’t grow, or scale, or continue meeting consumer demand.”

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Labor shortages have an impact on the supply of fresh fruit and vegetables produced in the U.S.

“Farmers can only grow what they can pick,” Burns said. “Our current immigration system is shackling our ability to increase food production in the United States because our growers are unsure if they will have the workers they need to plant, grow, and harvest crops. Some of our members have actually gone out of business because they can’t get the workers they need.”

In the conversation, Burns called on the Senate to tackle the labor shortages in agriculture and food processing by considering the bipartisan Farm Workforce Modernization Act (FWMA), which passed the House of Representatives in 2021.

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“Specifically, FWMA brings certainty to our food supply system, which can lower inflation and the cost of food, and increase American wages,” she said.

Burns explained why immigration reform is a kitchen table issue for consumers.

“The number one concern to the consumer right now is inflation. Those of you who will be shopping for your Thanksgiving meal are going to pay 20% higher than you paid last year,” she said. “With a legal immigrant workforce, you can actually lower inflation and drive up American wages. The time is now to pass the FWMA.”

IFPA members mobilized on Capitol Hill this past week for meetings with Senate offices to discuss the impact of labor shortages on farms of all sizes, from small family-owned operations to nationally recognized brands. Stefanie Katzman, executive vice president of S. Katzman Produce and a member of the IFPA board, told reporters that the lack of a predictable workforce is a significant barrier to a robust and efficient fresh produce supply chain.

“My business as a wholesaler is located in the middle of the supply chain. I speak to hundreds of farmers every day. That’s how I know that the farm labor crisis is not just a farming crisis. It’s affecting the entire supply chain right down to the American consumer,” Katzman said. “In order to make fresh fruits and vegetables affordable and accessible, we need the labor force to be modernized. So we’re asking all Senators, because this has to happen now. We’ve been working on this for months and months, and now we’re down to just days. We’re asking for your support and action, because action speaks louder than words and that’s what we need to get this done.”

IFPA, a leading member of business-based partnerships such as the American Business Immigration Coalition, Agriculture Workforce Coalition, and the Alliance for a New Immigration Consensus, will continue advocating for reform in the lame duck session of Congress.

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