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Sunday, April 30, 2023

Intence Says TikTok Has Displaced Sound System Selectors For Breaking New Dancehall Music - DancehallMag

Yahoo Boyz artist Intence says he does not rely on sound system selectors, since Tiktok has displaced them as the reigning platform bringing new music and artists to the spotlight.

During an interview on Irish and Chin’s Soundchat Radio recently, Intence was asked whether as an artist, he thought that “soundman is still the key to the music” or whether he looks to soundmen or disc jockeys to put out his songs.   

“A Tiktok run tings yah now.  From yuh song a play pan TikTok, from dem a falla it up pan Tiktok, it gone,” was his response which many took as implying, that, in some way, the platform had made selectors redundant.

Intence’s viewpoint, though, is in stark contrast to that of eminent Dancehall producer Seanizzle, whose remix of Nadg’s We A Run E Grung single on the Busta Beat riddim was propelled internationally via a TikTok dance challenge where it attracted millions of views.

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Seanizzle

In February, Seanizzle had cautioned other upcoming artists not to depend solely on TikTok to promote their music, as, according to him, not all songs will gain traction via that medium.

“Do not neglect the original format of how we promote music.  Because is not everyday a song trend for you on TikTok,” the One Day producer had warned.

“Give thanks for Tik Tok; it’s a gateway out, but di next song nuh must get dat success.  Suh don’t feel like ‘mi nuh need nobaddy, suh dis is my way’. Still show respect to everybody because that is the original format,” Seanizzle had said.

In July 2021, TikTok was reported to be the seventh most used social media network in the world, while Reggae/Dancehall music was also ranked the seventh most used genre on the platform.

After viewing the snippet of Intence’s interview, some music fans, brushed aside his comments as self-sabotaging, especially since artists continue to make money from sound system selectors via dubplates.

“Such a shame to hear artist speak like this unintelligent nonsense the amount of dub plate them voice and make money from but you think sound man is not important you must be mad tik tok is cutting your dubs? Sure not,” liyaflames said.

“Crazy. All the money these sound men pump in these artist pockets and they don’t even view sound systems as being relevant to pushing their music” mr_skins22 added.

Others said Intence’s argument was flawed, and his utterances disrespectful, as sound system selectors are the ones who provide the music at parties and not TikTok.

“That’s interesting.  So when people go to a party they should turn on TikTok to party?  Just a question .. cause sounds like sound systems and selectors are irrelevant now,” bajan assassin said.

“So tiktok plays ▶️ music inna party🙄 he didn’t even understand what the host was asking by key… nuff tings goes called viral on tiktok and don’t know of it’s relevance. So how wi don’t hear you a play pon any space really 🤔 Sound still relevant and will always be, because they still get to various mass,” tripletproduction said.

Others said that Intence was had now made himself a pariah amongst sound system selectors.

“He will never get a next hit song… I hope he invest his money good because he can surely call it a day on his career,” god_pickney_kev said.

“Someone once said the reason reggae music and the dancehall culture is not where it should be globally is because of the mindset of the people in it, dude just proved that point, when you think tic tok will get you out there, you already lost the race before starting…think bigger and you’ll get bigger results,” clarence_young_jr said.,

There were others though, who agreed with Intence, some pointing out that selectors themselves were looking to TikTok for playlist inspiration.

“But he’s speaking the truth on the way how things ah run. It’s sad but is true. Look at pon di grung. 🤔🤔🤔 artist ah buss on social media,” tafari_yunhgunz_ said, while another man added: “Of course. Times change up. Soundman can’t make you big again. Tiktok can. So we really feel things will remain the same ?”

“He’s saying sound men not bussing songs anymore. TikTok does and once a song buss on tiktok, the sound men have no choice be to play the songs in the party,” sekkle_missa_kat added.

Others argued that TikTok was a swifter medium to use to get a song out, as opposed to via the sound system.

“What lie did he tell? Most sound man a look pon tiktok themself fi what’s hot. Unu get out unu feelings cause dubplate and sound system nah buss career like one time. The audience know most songs before dem reach a dance,” dwaynec7000 said.

“Unfortunately this facts TikTok will get your songs out to the masses faster than giving it to a selector or sound, all the new artist songs are being bust through TikTok … for example Wap Wap to Americans is dancehalls most popular song becuz it’s a trend on TikTok,” damedollurswp added.

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Best cheap soundbar: Budget options for improving your TV's sound - TrustedReviews

Majority Snowdon II

Best cheap soundbar for wall-mounting

Pros

  • Super-affordable
  • Clear, punchy sound
  • Bluetooth support

Cons

  • Size can obstruct TV receiver
  • Digital optical cable not included
  • Struggles with dynamic movie soundtracks

Majority is a UK-based company that’s so far traded in affordable audio devices. The Snowdon II is a single-bar home cinema soundbar that’s best utilised if you’re considering wall-mounting your TV.

The reason we say that is because the design is on the large side for putting it beneath a TV, to the point where it covers up the TV’s IR receiver and blocks the remote signals. We didn’t find it to be the most elegant looking soundbar either, but arguably most shopping around this price won’t be as bothered about aesthetics as others. Around the back brackets for wall-mounting the soundbar and that seems to most optimal way of using it.

Annoyingly, the Snowdon doesn’t ship with any digital optical cable (but does come with an RCA and auxiliary cable). We would expect a digital cable to be packaged with the bar rather than rely on other means of connection since the optical input is the best available on this bar.

Features aren’t much in the grand scheme of things, but there are four EQ preset modes in Flat, Music, Movie and Dialog to optimise the performance for whatever you’re watching’ and the Music and Flat modes can be further tweaked in terms of their frequency range.

The sound quality from this 2.1 system is consistently clear, and at times punchy, delivery of audio. It features an integrated subwoofer but it is limited in terms of bass depth, so in more dynamic soundtracks where more weight and extension to low frequencies is required, it can sound flatter than the similarly priced Groov-e 160 Soundbar.

The Movie preset is the one we found that offered the biggest-sounding performance, as well as sounding more natural with dialogue as the Dialog mode can sound a little processed. Streaming music over a Bluetooth connection offers a similar performance to movies and TV, with good clarity and decent space for vocals to exist in the track. We also found it sound with gaming as well, producing a big, large and detailed performance that avoided sounding cluttered or shrill at higher volumes.

If you’re after a more cinematic experience, then the Wharfedale can provide more fireworks, but if it’s a soundbar that you can wall-mount (or at least sit below a wall-mounted TV), this is a convincing budget option.

Reviewer: Kob Monney
Full Review: Majority Snowdon II

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Saturday, April 29, 2023

RECAP: Thunderbirds rule the sky at Thunder Over the Sound - WLOX

BILOXI, Miss. (WLOX) - Miss out on our broadcast of Thunder Over the Sound? Don’t worry — we’ve got you covered!

Before the show kicked off, our own Noah Noble visited Keesler Air Force Base on Saturday morning to get the scoop on a plane display that preceded the main event.

Young, old or anywhere in between, airplanes will always be cool. Keesler Air Force Base knows that.

Afterwards, we watched in awe as 3x U.S. National Aerobatic Champion and National Aviation Hall of Fame Patty Wagstaff flipped, turned and looped so many times, it made us feel dizzy.

3x U.S. National Aerobatic champion and National Aviation Hall of Famer Patty Wagstaff starts things off.

As the Thunderbirds’ performance drew nearer, we were introduced to the six pilots who would make the coast skies their playground.

Before taking to the air, all 6 Thunderbirds introduce themselves.

Finally, our broadcast concluded with the Thunderbirds’ flight. You can watch the entire airshow down below.

Miss out on our broadcast of Thunder Over the Sound? Don’t worry — we’ve got you covered!

The group is scheduled to perform once more at 3:30 p.m. on Sunday. For more information, you can visit the Thunder Over the Sound website here.

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Thunder Over the Sound starting earlier due to weather - WLOX

BILOXI, Miss. (WLOX) - WLOX has gotten word that Saturday’s Thunder Over the Sound air show will start earlier than expected.

The entire show will be moved up to 2:40 p.m. in order to get ahead of the incoming weather.

Tune in to WLOX ABC for coverage starting at 2:40 p.m., or watch on our app or online. Keep up to date with weather here.

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Friday, April 28, 2023

Did You Hear a Large ‘Drumming' Sound in Oak Park Thursday Night? Police Say They Are Investigating - NBC Chicago

Police in suburban Oak Park were flooded with hundreds of 911 calls late Thursday regarding what was described a loud "drumming bass sound, "authorities said.

At around 11:55 p.m., the West Suburban Consolidated Dispatch Center and Oak Park Police Department began receiving calls for complaints of excessively loud music, police said in a Facebook post.

Calls came in from across the community - from as far north as the 900 block of North Ridgeland to as far south as Jackson Boulevard and Wesley Avenue, according to law enforcement. Similar complaints were reported along the nearby Augusta Boulevard in Chicago, prompting Chicago police to investigate as well.

The calls eventually settled down after around two hours.

Police say they weren't able to locate the source of the loud noise and are continuing to investigate.

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Sound And Fury 2023 Lineup Has Trapped Under Ice, Twitching Tongues, Speed, Gel, So Much Hardcore - Stereogum

Last year, thousands of people gathered in LA’s Exposition Park for Sound And Fury, a magical moment that was, by many accounts, the single biggest hardcore festival in North American history. That show had many of the best bands in the genre, and it was headlined by California heroes Gulch, who played their last show ever. This year, they’re running it back. The 2023 Sound And Fury fest goes down 7/29-30 at the same venue, and it looks like it’s going to be crazy.

Some of the standout bands from last year’s Sound And Fury are coming back this year, including Speed, Spy, and God’s Hate. Someone in the know told me that Sydney bruisers Speed are actually headlining this year, which is absolutely wild, considering that they don’t even have an album out. But whether or not that’s happening, I could see it.

There are big, returning names on the lineup, too. Baltimore greats Trapped Under Ice, who just played a pair of triumphant comeback shows, will play. So will Twitching Tongues, the long-running metallic hardcore band led by the extremely busy brothers and God’s Hate members Colin and Taylor Young. Pennsylvania legends Cold World, who only play a few shows a year, are playing, as are the back-in-action California bruisers Soul Search and Minority Unit. And the festival will also feature tons of the young, ascendant bands from the hardcore world.

High Vis, the hardcore-adjacent British band, just played their first run of US shows, and those sets were, by all accounts, revelatory. They’re playing Sound And Fury. So are some of the other bands in their vein, like Glitterer, Truth Cult, Modern Color, and Model/Actriz. Fugitive, the new thrash band from Power Trip’s Blake Ibanez, are on the bill, as are Skourge, whose singer Seth Gilmore is also in Fugitive, and death metallers Sanguisugabogg and ultra-heavy Japanese band Kruelty. And of course there’s hardcore: Gel, Pain Of Truth, Restraining Order, Dying Wish, Dead Heat, Big Boy, Extinguish, Scalp, Volcano, more. You can find all the relevant info here.

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32 Sounds movie review & film summary (2023) - Roger Ebert

Why only 32? (And as it happens, this imaginative documentary contains way more than that many sounds.) Well, because filmmaker Sam Green was inspired by the 1993 hybrid film “Thirty-Two Short Films About Glenn Gould,” directed by François Girard, which had in turn been inspired by Bach’s “Goldberg Variations,” a signature piece for pianist Gould which itself consists of 32 pieces of music when played in its entirety.

Green’s movie is all about audio—how we hear it, why it moves us, the different ways in which it can be heard. In the presentation I experienced, it was mostly through a pair of provided headphones. One of the notions the movie delves into is that while multi-channel sound dispersed throughout a theater via Dolby Atmos or other delivery systems is pretty ginchy in certain circumstances, it doesn’t really correspond to the way humans experience sound spatially. Because we, after all, only have two ears. There’s a mode of binaural recording that puts microphones in the ears of a sculpture of a human head and thus captures a certain real-world directionality. And heard through the headphones in a sound demonstration using only a box of wooden matches, held by a sound and rocket science expert, the effect is pretty nifty. 

Except for a brief section when the filmmaker asks the viewers to remove the phones—the headphone version is definitely one that veers into an audience participation mode—that’s how we hear the movie. I’m surprised that Lou Reed is never mentioned in the work—in the 1970s, he was a real proselytizer for this binaural recording method. Using the method, he made one of his most consequential albums, Street Hassle. Among other things, this movie made me determined to give that platter a headphone listening again—the effect doesn’t play on room speakers.

On the other hand, maybe I shouldn’t be surprised that rock’s ostensible Prince of Darkness isn’t conjured here, as the approach of the movie is one mostly of unsullied awe, tinged with notes of sadness. It begins with pink light and a slight heartbeat, the sound of the womb, here recorded by Aggie Murch, a midwife who happens to be the spouse of movie audio visionary Walter Murch. From there, it shifts into narrative mode, discussing the early 19th-century theories of Charles Babbage, who speculated that no sound ever dies and that all we needed was a special decoding machine to snatch sounds out of the past. Then we get to the invention of the phonograph by Edison and the wild enthusiasm and speculation it engendered. Some thought, says Green, that “the machine would actually stop death.”

Green has an apt partner in the sound explorer JD Samson, who looked after the soundtrack and is a not infrequent onscreen presence. We also hear from avant-garde composers and sound artists, some still living and vital, like the great Annea Lockwood, and some no longer with us, like Pauline Oliveros, John Cage, and Lockwood’s partner Ruth Anderson. Their passings add poignance to the varied topics under consideration here, as does Green’s recollections of family members he has lost and can resurrect as “ghosts” via audio tape. Will the resurrection help him let go of these ghosts?

The material here isn’t always heavy. Around the middle of the movie, Green and Samson transform the theater space into a disco of sorts, with bass-heavy mixes of classics by Donna Summer and Cerrone. Green’s approach as the narrator is sometimes a little too “gee whillikers” to suit the tastes of this grumpy old man, but “32 Sounds” hit my sound and vision sweet spot just fine most of the time.

Now playing in theaters. 

Glenn Kenny

Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. He has written for a host of other publications and resides in Brooklyn. Read his answers to our Movie Love Questionnaire here.

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32 Sounds (2023)

95 minutes

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Thursday, April 27, 2023

Can Wireless Earbuds Protect Your Hearing at a Concert? - Lifehacker

A general view of the crowd during Taylor Swift The 1989 World Tour Live In Los Angeles at Staples Center on August 24, 2015 in Los Angeles, California
Photo: Christopher Polk/TAS (Getty Images)

Buzzkills everywhere agree: Fun as they are, attending a loud concert can damage your hearing. Plenty of venues are obnoxiously loud, and you could experience symptoms of hearing loss within just five minutes of exposure the cacophony.

But if you’re someone who frequents live music gigs, your wireless earbuds can help you protect your delicate eardrums.

What causes hearing loss?

According to the CDC, hearing loss can occur either from a single deafening sound or through repeated exposure to loud sounds. Sound is measured in decibels (dB), and you may start to experience symptoms of hearing loss if you frequently encounter sounds over 70 dB, which is about as loud as a washing machine in operation.

Decibels measure loudness, and the intensity of a sound increases exponentially with small, incremental increases in dB levels. According to the CDC, a sound measured at 20 dB is 10 times more intense than one at 10 dB. The next time you see dB levels compared in a chart, be aware the impact of each additional decibel is significant, and that after a certain point, your risk for hearing loss increases exponentially.

For example, CDC data states that more than two hours of exposure to the sounds made by a gas-powered lawnmower (measured at 80-85 dB) put you at a risk for hearing loss. However, hearing loss is likely within less than two minutes of someone shouting into your ear (110 dB). That’s why it’s best not just to consider how loud a sound or environment is, but how much time it will actually take to potentially damage your hearing—it’s a much more useful, real-world way to gauge your risk.

How loud are concerts?

According to the CDC, loudness levels at entertainment venues like rock concerts, bars, and nightclubs average between 105 to 110 dB. At this decibel level, you can experience hearing loss within five minutes of exposure. Even when you are standing far away from the speakers at these venues, the noise is still loud enough to damage your hearing.

If you have a smart device that monitors sound levels (like the Apple Watch), you can monitor your exposure yourself. You can also use apps like Sound Meter on Android, or NIOSH on iPhone.

What you can do to prevent hearing loss at concerts

The best way to prevent hearing loss is to avoid going to loud venues altogether, but that’s not practical advice for live music lovers. If you don’t want to outright loud venues, you have a few options to lower your risk of hearing loss.

If your primary goal is blocking the most sound possible, wearing earplugs is the most effective solution for most people—according to a Creighton University study, well-fitted earbuds can block 15 to 30 dB. You can even buy earplugs made specifically for concerts, engineered to lower your dB exposure while preserving the details of the music. Though these options won’t lower the overall decibel level as much as the best protective earplugs, they are probably a more practical choice for people who want to go to a concert to really hear the music—if you’re just going to wind up taking your earplugs out anyway because they muffle the sound too much, they won’t do you any good at all.

A practical alternative: Wireless earbuds with ANC

Before you buy a special brand of concert earplugs, know that you might already own a high-tech alternative: Your wireless earbuds. Apple’s second-gen AirPods Pro, for example, have both an Active Noise Canceling mode (ANC) and an “Adaptive Transparency” mode that reduces any sound over 85 dB while preserving its overall quality. In the latter case, the AirPods pump in the music from a concert but automatically cap the loudness once it reaches that threshold, theoretically lessening your chances of hearing damage over the course of a two-hour show.

In tests published by The New York Times’ Wirecutter, wearing AirPods Pro with ANC engaged was shown to reduce decibel levels by 23 dB. Adaptive Transparency, on the other hand, reduced noise levels by just 10 dB. The latter wouldn’t bring you below that 85 dB threshold, but it would offer you some level of protection while preserving the sound quality of live music. (Even wearing the Pros without any additional settings enabled cut the venue’s loudness by 8 dB.)

In these tests, Adaptive Transparency mode didn’t cut the loudness enough to be considered CDC-“safe” for any longer than 45 minutes—but that sure beats not wearing anything at all, and you’d still be able to hear all of the music with little to no muffling if that’s what it takes to get you to protect your hearing.

Many other wireless earbuds have a similar hear-through mode that lets some sounds in, while reducing loud environmental noises. Not every pair of earbuds does it well, and if you’re particularly concerned about your hearing health while attending concerts but you still want to hear the music clearly, use a pair of headphones that supports active noise cancellation. If you find everything is still too loud for you when using a feature like Adaptive Transparency mode , you can always enable noise cancellation—but just know that the former will always offer less protection.

Cheaper wireless earbuds may ship with passive noise isolation, which means that some sounds are muffled because there’s a good seal between the headphone and your ear. This is not nearly as effective as active noise cancellation, but again, that’s better than no noise isolation whatsoever.

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Do biological males belong in girls sports? Democrats on Capitol Hill sound off - Fox News

Democrats on Capitol Hill dismissed biological boys competing in girls sports as a non-issue after a Republican-led bill banning transgender athletes from female sports passed in the House.

"Two weeks of traveling around Virginia, nobody asked me about this," Sen. Tim Kaine told Fox News, "This is not what is on folks' minds."

"This is an issue that’s getting a lot of attention in some media," he added. "It’s not what Virginians are worried about."

DEMOCRATS ANSWER WHETHER BIOLOGICAL MALES BELONG IN WOMEN’S SPORTS

WATCH MORE FOX NEWS DIGITAL ORIGINALS HERE

The Protection of Women and Girls Sports Act passed along party lines last week and would prevent biological males who identify as girls from competing in female sports at schools that receive Title IX funding. The bill's supporters argue that biological males have an unfair advantage and can prevent girls from making teams or winning.

Rep. Eric Swalwell, who opposed the bill, said it would "violate the privacy of our kids for something that is not even a thing."

"You’re more likely to have your kid play with a future NBA All-Star than have to deal with what Republicans are suggesting is going on," the California Democrat added.

DEMOCRATS DISMISS CONCERNS ABOUT BIDEN’S AGE FOLLOWING REELECTION ANNOUNCEMENT: 'SEEMS TO BE DOING FINE'

Rep. Susie Lee of Nevada said she opposed the bill because she supports "things that do more to encourage women to participate in sports, not less."

Congresswoman on Capitol Hill opposes transgender sports bill

Rep. Susie Lee spoke to Fox News about transgender boys competing in girls sports. (Fox News Digital/Jon Michael Raasch)

ESPN PERSONALITIES SLAM BIDEN'S TITLE IX PROPOSAL AMID UPROAR OVER TRANSGENDER ATHLETES IN WOMEN'S SPORTS

Rep. Becca Balint of Vermont called the bill "incredibly insensitive" and added that it "does not address real concerns of girls in sports."

"I think we might be creating an issue that isn’t really there," Rep. Glenn Ivey told Fox News. He said that determining when transgender athletes can compete in girls sports should be done on a case-by-case basis.

Rep. Marc Veasey of Texas said he voted against the bill, calling it "mean."

JOE ROGAN GOES OFF ON TRANSGENDER FEMALE ATHLETES COMPETING AGAINST BIOLOGICAL WOMEN: 'IT'S F---ING MADDENING'

"I think that all of this meanness, this nastiness, this discrimination, I think that it needs to stop," he said. "I think that Democrats and Republicans, we need to finally get to a place in this country where we are not debating things that are so divisive around things like gender and race."

Congressman on Capitol Hill wouldn't discuss trans sports bill

Rep. Donald Norcross declined to tell Fox News if he believes biological boys can compete in girls sports. (Fox News Digital/Jon Michael Raasch)

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Instead, the two parties should "have debates over things like taxes and things like that we disagree on instead of always looking for that southern strategy edge for so many different things," he continued. "I think it’s terrible and I think it’s bad for the country."

Rep. Donald Norcross of New Jersey declined to answer questions on the issue. He told Fox News he's focused on "making sure people have jobs."

Click here to see what Democrats on Capitol Hill had to say about transgender athletes in girls sports.

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Wednesday, April 26, 2023

First responders sound alarm over EV batteries after electric F-150s burst into flames: 'Totally different' - Fox Business

A shocking video shows a row of electric F-150s bursting into flames after EV batteries overheated and caught on fire.  

Those fighting the flames say they are currently unprepared to mitigate the looming crisis that could result from a growing number of EVs hitting the road in the near future.

David Dalrymple, a volunteer firefighter, and Michael O'Brian of the International Fire Chiefs Association say the long-burning blaze starts with the vehicles' lithium batteries and a chemical reaction that fuels itself.

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EV fire Dearborn Michigan

A row of electric F-150s caught fire after an EV battery overheated.  (Fox News)

"It's a totally different pathway than most firefighters have to deal with," Dalrymple said Wednesday on Fox News Channel's "Fox & Friends First."

He explained how the overheated batteries inside the vehicles generate a fire that can linger for hours and is next to impossible to extinguish.

"Basically, it's a chemical reaction," he explained. "It's not a normal fire where fire needs oxygen to burn. This is a chemical reaction that makes its own oxygen. It's an exothermic reaction."

CHEVRON, EXXON DEVELOPING CLEANER GAS AS ALTERNATIVE TO EVS

O'Brian said he is concerned about first responders who currently lack training and resources to fight these long-burning fires and prevent loss of life when seconds count. 

According to O'Brian, gasoline-powered vehicles can often be extinguished within five minutes and the site cleanup time is relatively brief. Electric vehicles, however, can take hours to rein in because of their unique differences.

"We're now dealing with two-plus-hour incidents, and we can't actively extinguish this fire when the battery pack is involved, so fire crews are really forced with two major options – do we actively cool the battery pack, which is trying to stop that propagation within that battery pack, or do we just let it go?" he said.

PEPSICO TO USE OVER 700 EVS FOR FRITO-LAY DELIVERIES BY YEAR'S END

Ford F-150 2023 model

The 2023 Ford F-150 Lightning truck is shown after winning the NACTOY 2023 North American Truck of The Year Award at the 2023 North American Car, Truck, and Utility Vehicle of the Year Awards on Jan. 11, 2023 in Pontiac, Michigan.  (Bill Pugliano/Getty Images / Getty Images)

EV battery fires also increase the need for upticks in fire hydrant installations, particularly in areas near freeways where they are less common, he added.

"There's a lot of change that's going to be happening, and it's not just our electrified vehicles. This discussion is happening in our buildings, it's happening in the recycling market, and you'll see, as we build more batteries, as we produce more EVs, that means more products are going to be on the road as we move to get these to assembly plants… and our fire crews are going to be continually challenged every day."

Aside from combustibility, other electric vehicle concerns linger among critics, including cost and worries that charging the vehicles could overwhelm the power grid in some locations.

Fears coincide with an EV push from the Biden administration, including President Biden, Energy Secretary Jennifer Granholm, and the Environmental Protection Agency, who recently proposed aggressive regulations cracking down on gas-powered car emissions, potentially impacting future car models for the years 2027 to 2032. 

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Fox News' Thomas Catenacci contributed to this report.

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'Sound cleansing': how to banish negative energy at home | - Homes & Gardens

When we walk into a space and things feel 'off', we tend to blame the way the furniture is arranged. 

Or perhaps we’ll pinpoint a lack of natural light, low ceilings, or even poor Feng Shui, as the cause of this subtle feeling of discomfort. Or maybe a room's atmosphere has been spoiled by an argument. Or perhaps you just want to refresh a space for a new season.

Whatever the reason, experts say that a space that feels negative or makes your hair stand on end can be remedied quickly and easily – with a cleansing ritual using sound.

What is 'cleansing with sound'?

Using the power of good vibrations is a growing trend, and unlike cleansing with sage or cleansing with salt, all you need for a sound cleanse is to make some noise. So how does this alternative practice actually work and why should you bother?

woman ringing bells

(Image credit: Getty images / Natasha Zakharova / EyeEm)

'Sound creates an immediate, rather tangible impact on your space. If you think about the power of something like clapping or snapping your fingers, you see how powerful a tool sound is,' sound healer Andrea Donnelly (opens in new tab) begins. 

'When you clap it instantly energizes you, which is why we clap at events and parties to get our individual and collective energy high. I recommend using sound to clear a room when you feel like there is stagnant, disruptive or low vibrational energy present.'

Perhaps there is a room in your home that you avoid spending time in, that has negative associations, or just feels heavy? Sound healing experts say you can transform this space into a more uplifting and happy room with a space-clearing ritual.

Andrea Donnelly
Andrea Donnelly

Andrea Donnelly is a quantum sound and energy healer, and the founder of We Are Here 2 Remember. She is an expert in energy work and sound healing having worked in the area for 20 years.

Not only does it make you feel happier at home, but a sound cleanse might also be exactly what you need at a certain time in your life, explains Suzanne Roynon, Homes & Gardens' contributing expert and Feng Shui consultant. 'It’s a wonderful way to get closure after a difficult time and also to cleanse the atmosphere we live in which can become stagnant, especially through winter and periods of bad weather.'

'I would always recommend cleansing a property after the end of a relationship, period of illness, or after an argument or major upset.'

Suzanne Roynon
Suzanne Roynon

Suzanne is a specialist interiors therapist and author of Welcome Home, How Stuff Makes or Breaks your Relationship (opens in new tab) available on Amazon. She has spent more than 25 years in corporate and charity roles, using her ability as a therapist and public speaker to help people understand their relationship with their homes and possessions. She is also Homes & Gardens' contributing expert on all things feng shui and interiors therapy.

How to cleanse with sound

‘Crystal bowls, singing bowls, bells, drums, gongs, and clapping can create an immediate increase in energy and help to clear any low or misaligned energy from your space, and are all tools I recommend,’ says Andrea. ‘The most important thing is finding a tool that excites you because there are many powerful options.’

Other options include:

  • Clapping
  • Banging noises (a wooden spoon on a saucepan is very therapeutic after a row!) 
  • After you have cut through the stuck energy, Suzanne Roynon recommends you then follow up with a ‘feel good’ sound to invite in lighter, brighter vibes
  • Tibetan bells 
  • Tingshas
  • A xylophone 
  • Drums, a gong or singing your favorite happy song
  • Anything else that makes a noise

If you're choosing the simple clapping option, Inbaal Honigman (opens in new tab), a celebrity psychic, has some specific instructions to show negative energy the door. She says to clap in corners to 'chase away stagnation.' She recommends walking around the room clockwise (in the direction of the sun). 'Clap a few times in each corner, moving the energy along and creating alignment,' she says. 

'Another wonderful sound cleanse is music. If it is appropriate to play music in your workplace or on a date, this will cheer everyone up and purify thoughts and intentions. Drumming is effective, if perhaps less accessible, and of course singing bowls, at Amazon (opens in new tab) are a popular cleansing tool in many situations,' Inbaal adds.

Inbaal Honigman

Inbaal Honigman

Inbaal Honigman is a psychic who uses Tarot astrology, palmistry, clairvoyance, and other methods of divination in her readings.

FAQs

How often should you cleanse with sound?

You may like to do a sound cleanse seasonally, whenever you move house or when you have made a change to your lifestyle. Interiors therapist Suzanne Roynon says she loves to do a sound cleansing to mark the change of the seasons, at New Year, after long-staying visitors leave. You could also cleanse with sound after a particularly busy times as it’s a great way to restore calm and positivity, she suggests.


We can do as much spring cleaning, decluttering, and shelf-rearranging as we like, but something that's even easier and will shift the feel of your space is a sound cleanse, and more and more of us are experimenting with alternative rituals to create a home that feels supportive, calm and positive.

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Greenwich mulls sound restrictions to leaf blower usage - Greenwich Time

GREENWICH — The low frequency and loud buzzing of gas-powered leaf blowers may be the reason why the town of Greenwich further restricts their use. 

The town currently restricts use to certain times of day, but a new push to regulate blowers takes aim at the noise they emit.

Leaf blowers have stirred up hot debate in the past, in part because switching to the environmentally cleaner, quieter electric versions some people and groups champion means losing the power that gas-powered blowers offer to professionals.

The latest push to ban gas-powered leaf blowers comes from Quiet Yards Greenwich, a nonprofit formed in 2021. Quiet Yards first took its concerns to the Board of Selectmen last year and their request has since been moved to the Greenwich Board of Health for consideration. The Board of Health has formed a subcommittee to look at gasoline-operated leaf blowers and is debating using the town’s noise ordinance to further limit their use. 

Quiet Yards presented to the Board of Health in February and while not asking for a total ban, outlined a plan for a four-year phased reduction of gas blowers in town.

The subcommittee gave an interim update on Monday during the health board’s regular meeting, but has not made a formal recommendation and, thus, the board of health has not voted on any ordinance changes.

Other groups are also pushing to restrict leaf blowers in Fairfield County. Westport enacted new restrictions on them earlier this year and Stamford’s Board of Representatives has been mulling a gas-blower ban for months with a public hearing scheduled for April 25.

In Greenwich, gas-powered leaf blowers can only be used from 8 a.m. to 6 p.m. Monday through Friday and from 9 a.m. to 3 p.m. on Saturday, Sunday and holidays.

The Greenwich Board of Health subcommittee on leaf blowers is led by Dr. Sarah Gamble, a member of the town’s board of health. On Monday, Gamble said the subcommittee was originally organized to look at the noise generated by leaf blowers, but Quiet Yards Greenwich had also flagged air pollution as a reason to restrict use.

“The information provided included data on both noise and air pollutants. The subcommittee had, until this point, been concentrating on the matter of noise and not air pollutants,” Gamble said. “Air pollutants from the use of gasoline-operated leaf blowers requires further investigation by the subcommittee prior to our making our recommendation to the board.”

The subcommittee also said that landscapers and people who use leaf blowers to make a living deserve a chance to weigh in.

“This group has a right to be heard just as Quiet Yards Greenwich was (been) heard,” Gamble said.

The board’s next meeting is scheduled for May 22 and board chair Joel Muhlbaum asked Director of Health Caroline Calderone Baisley to invite landscapes to come and make their case.

Gamble said in general, the subcommittee foresees three potential outcomes: No change is made to the noise ordinance; a change is made based on medical evidence of health risks presented by gas-powered leaf blowers; or a change is made to reduce noise levels in the community. The details of the alternatives have yet to be fleshed out, Gamble said. 

Quiet Yards Greenwich wants to reduce the use of gas-powered blowers and replace them with quieter, electric alternatives that don’t burn fossil fuels, the group says. Members submitted a lengthy white paper to the town with their reasoning last year.

Quiet Yards Greenwich is the successor to CALM (Citizens Against Leafblower Mania) which took up the fight in 2011. The push was covered in the New York Times, but their effort to get gas-powered leaf blowers banned ultimately failed. While the group's requested ban on gas-powered leaf blowers made it to the Representative Town Meeting in June 2012, it failed on a vote of 76 to 93.

There was a temporary restriction on leaf blower use at the beginning of the COVID-19 pandemic to accommodate people working from home, but that restriction expired in 2021.

Members of the public who want to comment on leaf blowers can contact the Health Department at ehealth@greenwichct.org.

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’32 Sounds’ Review: Immersive Doc About the Magic of Sound Will Leave You with Ears Wide Open - IndieWire

Shortly after the invention of the phonograph in 1877, a prominent newspaper of the time predicted that Thomas Edison’s machine was powerful enough to stop death itself. The human body was still ephemeral, but the human voice had effectively become immortal. It was now capable of being heard long after the person who produced it had decomposed into nothing more than bone and memory.

When AI broke into the mainstream some 150 years later, tech websites almost immediately began reporting about new digital tools that allow people to upload audio recordings of their loved ones in order to keep talking with them after they’re gone.

That development is a bit too recent to be included in “A Thousand Thoughts” and “The Weather Underground” director Sam Green’s “32 Sounds,” but it provides a perfect coda to this soft and semi-interactive documentary about the ambient power of acoustic vibration; to a scattershot TED Talk of a film that is somewhat counterintuitively obsessed with death, but only because the ephemeral nature of life on Earth offers the best evidence of sound’s power to connect us to the universe more strongly than any other sense.

Conceived alongside a live version of the same material, and designed to be enjoyed with a pair of headphones big enough to silence any unintended noise (Film Forum customers will be provided a pair at the door), “32 Sounds” wants nothing more than to send audiences back out into the world with ears wide open. With the on-screen help of Le Tigre musician and co-conspirator JD Samson, Green accomplishes that goal so well that it feels like he probably could’ve gotten the job done with just 16 sounds instead, but this playful and aggressively pleasant little film is an easy sit, and the strength of its individual episodes — in addition to the echoes that resonate between them — helps to absolve the discordant chaos of their arrangement.

Which isn’t to say that “32 Sounds” lacks structure (true to its title, each of the film’s segments focuses on a different sound), only that Green quickly allows us to lose our place in his sonic experiment. Only a few of the key sounds are enumerated onscreen, as the filmmaker prefers to hyper-focus our ears while letting our minds roam free.

The result is a documentary that blurs the line between sense and perception, science and poetry. An educational interlude about the invention of stereo sound — complete with dynamic in-ear illustrations of how it works — bleeds into a more ruminative passage about the eternalness of all sound, and Charles Babbage’s proposition that even the smallest vibrations continue to resonate around us forever, albeit at super low frequencies that people could never hope to hear. The faint pulse of a fetus’ heartbeat (recorded by Aggie Murch, wife of legendary sound designer Walter Murch) is used to illustrate that sound is the first sense that penetrates the womb; later, that morsel of information echoes through a later segment in which Green visits Lebanese artist Mazen Kerbaj, and listens to the percussive death music that he created from the sounds of Israeli bombs raining down on Beirut. The “miracle” of the whoopee cushion sits alongside the soul-altering splendor of Phil Collins’ “In the Air Tonight.”

Of course, not all sound is so dramatic. At one point, Green shares a crucial quote from Skywalker Sound guru Randy Thom: “Sound is a second-class citizen of our consciousness, but it has a secret weapon: stealth.” And while “32 Sounds” has its share of jet engines and disco (it even pauses for a five-minute dance interlude towards the end), the film is no less concerned with sound’s latent power to shape our world, even in silence.

John Cage’s “4’33” makes a requisite cameo, of course, but I was more compelled by Green’s focus on deaf sound artist Christine Sun Kim, who argues that the hearing community’s unfiltered exposure to sound deprives them a richer awareness of its details. And by the brief passage about a San Francisco man Green interviewed for a previous film, who was almost driven insane by the city’s nightly chorus of foghorns before he found a profound comfort in their bellowing calls — in the collectives symphony that continues around us at all times and denies our tendency towards isolation. Some parts of the movie even instruct you to close your eyes. “It’s easier to listen when you’re not seeing anything,” Green says.

Such insights and asides about the relationship between sound and life ultimately offer more food for thought than Green’s dominant focus on the relationship between sound and death, which is both heartrending and too hard to explore in non-obvious ways. Even 19th century newspaper writers recognized the phonograph as a time machine, and so Green’s sudden, climactic realization that his film is leading him to audio recordings of his late brother’s voice falls uncomfortably flat for something so tender and true.

More effective is the recorded mating call of the last known Moho braccatus, as the Hawaiian bird — unaware that a hurricane has rendered him the only living member of his species — sings a life-or-death love song to no one. Or maybe he did know, and he was singing for us. The saying goes that “Everything changes and nothing is lost,” but only if you learn how to hear the difference. After being exposed to these “32 Sounds,” you’ll likely find yourself listening for millions more.

Grade: B

Abramorama will release “32 Sounds” at Film Forum on Friday, April 28.

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