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Thursday, April 1, 2021

Sony RA5000 speaker review: extravagant sound at an unreasonable price - The Verge

Sony’s new SRS-RA5000 is a $700 single-unit speaker that is filled to the brim with drivers, has convenient features like Spotify Connect and Chromecast built in, and is capable of producing immersive 360-degree audio.

Though it’s only coming to market now, the RA5000 dates back to CES 2019, where Sony exhibited it as a prototype speaker for its new-for-the-time 360 Reality Audio format. So it’s been in the hopper for a while. Same goes for the smaller, less expensive RA3000, which Sony demonstrated a year later at CES 2020. Now they’ve both evolved into consumer products and look practically unchanged.

At 13 inches tall, the RA5000 is much bigger than any smart speaker. And yes, from the top, it absolutely looks like an oversized electric razor, thanks to the three round speaker grilles. If this thing was all white, you might confuse it for some kind of futuristic humidifier or air purifier. But Sony has stuck with the mix of black and rose gold that has been the signature look for many of its recent headphones and earbuds. I continue to dig the contrast this creates, and the speaker’s sides are covered in a knitted fabric that hides the innards. There are touch-sensitive buttons on the left and right sides. You get volume and play / pause on the right, with the left side handling power, mode selection (Wi-Fi, Bluetooth, or aux input), and a calibration feature that tweaks the sound for whatever room the RA5000 is in.

The internal layout breaks down like this: there are three up-firing speakers, three outward-facing speakers positioned at the middle of the speaker’s sides, and a single subwoofer at the bottom. Around back is a 3.5-millimeter input and a little NFC icon, which you can hold an Android phone to for quick pairing. Underneath the speaker is where the power cord plugs in, and the RA5000 comes with a big honking external power supply. That’s something I didn’t expect to see considering how large the product already is. It needs to be plugged into power at all times, so Sony’s fancy speaker is wireless but by no means portable.

The setup process is… a lot. Sony’s mobile app guides you through numerous steps like adding the RA5000 to the Google Home app, bringing it aboard your Wi-Fi network, linking it to Amazon’s Alexa platform, and more. The speaker initially had a lot of trouble connecting to my home Wi-Fi, but with some persistence, eventually it worked. As is standard for Sony, the app isn’t very polished or pretty, but it gets the job done.

The RA5000 offers a ton of flexibility for how you play music on it. You can pair a device to the speaker via Bluetooth — AAC and SBC codecs are there, but not LDAC — but you’ll get far better quality when the music is coming over Wi-Fi. There’s built-in Chromecast support for audio casting, and the RA5000 can also be added to a speaker group with either Google Home or Amazon Alexa. I’d have loved for Sony to round out the streaming options with AirPlay 2, but no such luck. The speaker hardware includes a microphone, but this is only used for the calibration feature. You’ll have to rely on another device to get music playing on the RA5000 with your voice, but since it’s compatible with both Alexa and Assistant, this can be done wirelessly with a cheap smart speaker or your phone.

When in traditional stereo mode, this speaker is a powerhouse, though you might expect more bass for the size. (There are EQ options in the Sony app if you want to boost the low end.) It easily blanketed both my living room and bedroom with sound; the up-firing drivers help give it a very full presence. In my average listening, I never pushed volume beyond the 60 percent range. Going much higher would probably result in some very annoyed neighbors if you’re in an apartment. But despite its big, boisterous sound, there’s no mistaking the RA5000 for a proper set of stereo speakers. It sounds every bit like the single enclosure it is.

And that leads us to the standout trick: 360-degree audio. Sony’s 360 Reality Audio uses object-based spatial audio to try to build a captivating soundscape. The pitch is that it can feel “as real as if you are there at a live concert or with the artist recording in a studio.” When you close your eyes and listen to 360 Reality Audio, the RA5000 definitely sounds bigger and wider than its physical footprint. It’s a noticeable change from plain stereo. But does it put me in some mind-blowing sphere of music coming from all directions? No, not really.

When you hop between 360 tracks, you’ll notice that not all content really takes advantage of its scope. It remains unclear how involved and invested most artists really are when it comes to these 360 mixes, so I’m skeptical of any claims that this is how songs were meant to be heard. Jazz sounds fantastic; the instrumentation really benefits from bouncing off walls and your ceiling. Concert recordings, like Liam Gallagher performing Oasis hit “Champagne Supernova” with an enthusiastic sing-along crowd, also have an impressive breadth to them that feels distinct from regular stereo sound. The LED at the bottom of the speaker illuminates green when you’re playing true 360 Reality Audio music.

Only a few music streaming services, including Tidal, Deezer, and Nugs.net, support Sony’s 360 Reality Audio at present. Amazon Music HD will also let you play 360 audio on the RA5000 as of April 6th. You can cast 3D audio directly from these apps to the speaker. But even among services that offer 360 Reality Audio, adoption from musicians and labels has a long way to go. Not a single song in Tidal’s “Top Tracks” section had 360 Reality Audio, nor did any of the Top Albums. That really speaks volumes. There’s a dedicated section in the explore tab where you can easily browse through playlists and albums that do support 360-degree audio. A vast majority of it is older stuff, but recent records like Haim’s Women in Music Pt. III are there, too, as are hit singles like Harry Styles’ “Watermelon Sugar.”

To make up for the lack of content that’s truly mixed for 360, Sony includes an “immersive audio enhancement” setting that attempts to re-create the same effect for two-channel music tracks. This algorithm-powered approach doesn’t work nearly as well. Toggling it on adds an obvious layer of artificial reverb and ambience to everything that you play, and you lose the soundstage precision that’s there with genuine 360 Reality Audio content.

At its eye-popping price of $700, finding direct “competitors” for the RA5000 is complicated. There’s a HomePod-looking device in Sony’s promotional video, but that Apple speaker was less than half the price and is now history. The $500 Sonos Five is my favorite single-unit speaker, but it sticks to stereo audio. Then you’ve got high-end, luxury audio alternatives like the $900 Formation Wedge speaker from Bowers & Wilkins, but again, that’s aiming for an audiophile-grade stereo experience. Sony’s speaker outperforms the $200 Amazon Echo Studio and can crank much louder — but that’s exactly what I’d expect considering the huge price gulf.

So the question I’m left with is this: who is this speaker for? It sounds excellent, can satisfyingly fill any normal-sized room, and 360 Reality Audio is a fun party trick. But the asking price is hard to get over. A lot of people who are serious about audio gear would sooner pay for a nice pair of stereo bookshelf speakers than drop $700 on this single unit. I think Sony’s trying to make the RA5000 a jack of all trades — led by immersive sound and an array of convenient streaming options. But I come away feeling like this speaker just tries to do too much, especially when the worth of its headline feature remains unproven and often inconsistent.

Photography by Chris Welch / The Verge

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Five bold predictions for the men's NCAA Tournament Final Four - USA TODAY

Women's Final Four predictions and how each team could win the 2021 NCAA title - ESPN

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The 2021 NCAA women's basketball tournament began with the better-seeded team winning every game on the first day, only to have the most teams outside the top-four seeds reach the Sweet 16 since 2013.

But now that the most unusual tournament in history, played entirely in San Antonio and the surrounding area because of the COVID-19 pandemic, is down to four teams, it has taken on a more familiar feel. For the fourth consecutive tournament, at least three No. 1 seeds advanced to the women's Final Four. UConn, Stanford and South Carolina were all favorites in their regions and have plenty of history on this stage. No. 3 seed Arizona is 2021's outlier. The Wildcats are the fourth first-time Final Four participant in the last six tournaments.

Can Arizona shock everyone? Is UConn destined for a 12th NCAA title? Will South Carolina finish what it wasn't given the opportunity to a year ago when the tournament was canceled? Can Stanford, the No. 1 overall seed, break through with its first championship in 29 years?

Here's a look at how all four teams could hoist the championship trophy, followed by Final Four picks from our ESPN panel.

UConn Huskies

Reason to be excited: UConn has reached a 13th consecutive Final Four without a senior on the roster. Winning the championship for the first time since 2016 -- and the ESPN Basketball Power Index (BPI) gives the Huskies a 44% chance to do so -- could mark the birth of another UConn dynasty. And as routine as UConn in the Final Four has become to observers of the game, this is brand new to all but two players on the roster -- juniors Christyn Williams and Olivia Nelson-Ododa, who played against Notre Dame in the national semifinals in 2019. Freshman Paige Bueckers, who is getting her first taste of the Final Four, has outperformed the already lofty expectations and could have a weekend and career ahead of her of historic proportions.

Reason to be concerned: It's difficult to find a downside for a team that has gotten even better since 6-foot-3 freshman Aaliyah Edwards entered the starting lineup and with Williams and fellow junior Evina Westbrook playing their best basketball of the season. Edwards became a starter only after fellow freshman Nika Muhl was injured. That, plus the inevitable shortening of the rotation as the games get bigger, has left UConn with a thin bench. Sophomore Aubrey Griffin was the only non-starter to play against Baylor in the regional final. Foul trouble, especially to Nelson-Ododa and Edwards -- who each finished Monday's game with four fouls -- could be a trouble spot.

The Huskies will win if ... they get the kinds of contributions they have been getting from Williams and Westbrook in the NCAA tournament so far. Both were brilliant against Iowa. Westbrook had a great start against Baylor. Williams had the big second half. If those two are scoring, along with Bueckers, and defending like they have all season, a 12th championship would be in sight.

X factor: Nelson-Ododa was incredibly engaged defensively and on the boards against Baylor. That's exactly what UConn needs from her at this point. Earlier in the season, as Bueckers was still feeling her way and Williams struggled with her jump shot, the Huskies needed more scoring from Nelson-Ododa. Not anymore. She's now a defender (five blocks against Baylor) and, believe it or not, a facilitator. The 6-5 center has 11 assists in the last two games. This role for Nelson-Ododa has made an already great offense even better.

Arizona Wildcats

Reason to be excited: Aari McDonald. The 5-6 senior was the best player in the regionals, with a pair of 30-point games. She is the foundation of the rebirth of the Arizona program that has culminated with the first Final Four in program history. The two-time Pac-12 Defensive Player of the Year is also as close to a perfect antidote as you're going to get for UConn's Paige Bueckers. McDonald's ability to harass an opposing ball handler is unparalleled. If one player is capable of disrupting the rhythm of the UConn offense, it's McDonald.

Reason to be concerned: While McDonald excelled against Texas A&M and Indiana, second-leading scorer Cate Reese struggled to find her game. Her 6.5 points per game in those two contests was five below her average. The 6-2 junior found other ways to contribute and had 15 total rebounds, but one scorer is not enough to conquer UConn. Arizona needs Reese to score.

The Wildcats will win if ... McDonald keeps shooting this way. Normally a 30% 3-point shooter, the lefty made 11-of-18 (61%) from deep in the last two games. With her incredible speed, her straight-line drives to the basket are tough enough to stop. If her defender also has to worry about closing on a 21-footer, there is no answer.

X factor: As great as McDonald is as an individual defender, she's not the only one. Only Stanford allowed fewer points and a lower shooting percentage in the Pac-12 than Arizona. The Wildcats will need to keep the Huskies' scoring in the 60s to pull off the upset. That's where Trinity Baptiste and Bendu Yeaney could play such vital roles as likely matchups for Williams and Westbrook.

Stanford Cardinal

Reason to be excited: Tuesday's regional final win was the latest example of the different players Stanford can turn to for a winning performance. Ashten Prechtel, a 6-5 sophomore, averages 13.6 minutes and 5.6 points per game and barely played in the first half. She came off the bench to score 16 points in 16 minutes without a missed shot from the field and was Stanford's second-leading scorer. Against Missouri State, the Cardinal got out quickly. The win over Louisville came with a late surge. These are just microcosmic examples of how many different ways, and with so many different players, Stanford can get a win no matter the stakes.

Reason to be concerned: The Cardinal have put together just one complete game so far in this tournament. They jumped on fifth-seeded Missouri State early and never let up, but against Utah Valley, Oklahoma State and especially Louisville, there were sizable lulls in Stanford's play. Kiana Williams had a terrible start against Louisville (1-for-11 shooting in the first half). As well-rounded as Stanford is, Williams is one player who is not interchangeable. Tuesday showcased just how important her play is to the Cardinal's success. Against South Carolina, she needs to be an impact player for 40 minutes.

The Cardinal will win if ... they keep making 3-pointers. Long-range shooting is not the first thing that comes to mind with Stanford, yet it's a staple of the offense this season. The Cardinal have made 50 3-pointers in the NCAA tournament. They are fifth in the country in made 3s on the season and sixth in percentage (38.3%). Williams, Lexie Hull and Hannah Jump, who made 43.2% of her 3-point attempts this season coming off the bench, will be critical.

X factor: How the game is officiated. Stanford coach Tara VanDerveer has bemoaned how physical the play has been in the NCAA tournament. She would prefer less body contact and more free-flowing player movement. South Carolina's style is predicated on physicality. Any early whistles will tell us in which direction the game is headed. Cameron Brink, a 6-4 freshman, has the length to disrupt South Carolina's frontcourt and serve as a rim protector. She is a key to Stanford's defensive effort and a big reason the Cardinal rank second in the country in field goal percentage defense (32.9%). But if she's allowed to be pushed around, that effectiveness is diminished.

South Carolina Gamecocks

Reason to be excited: Defense, defense, defense. A good one has gotten even better in the NCAA tournament. The Gamecocks are holding their NCAA tournament opponents to 34% shooting (slightly better than the 36% during the regular season), and Sweet 16 opponent Georgia Tech was the only one to score above 60 points. Stanford will present challenges to this defense that Oregon State, the Yellow Jackets and Texas couldn't, but any team that can shut out another for an entire quarter, as South Carolina did to the Longhorns in the final period of the regional final, is clearly fully committed at that end of the floor.

Reason to be concerned: Moments arise in big games when teams just need a 3-pointer. That isn't South Carolina's game. The Gamecocks struggle in half-court sets to create open shots, specifically from 3-point range. They have made just 15 3-pointers in the NCAA tournament, compared with Stanford's 50. For the most part, South Carolina survives just fine without the 3-pointer being a regular part of its offense. Destanni Henderson (41.3%) and Zia Cooke (37.7%) can make them. But as the possessions get more important in the Final Four and the game slows down in the fourth quarter, South Carolina might have a difficult time finding the critical open look.

The Gamecocks will win if ... Aliyah Boston gets consistent touches on offense. This has been a refrain all season, but South Carolina is better when its 6-5 center gets the ball in the low post. Boston forces the defense to react more than any other player on the team. In what was the Gamecocks' most impressive performance of the postseason, the SEC championship game win over Georgia, Boston scored 27 points and had a usage rate of 30%. In South Carolina's four losses this season, that usage rate was below 21%. The Gamecocks have won without Boston's extensive involvement in the offense, but they are better with it.

X factor: Brea Beal has gone from big-time high school scorer to the Gamecock who does all the dirty work. She gets the tough rebound, wins those 50-50 balls and defends with a hard-nosed, physical style. Her likely task in this game against Stanford is to harass Haley Jones. The versatile Jones is such a big part of what Stanford likes to do on offense. Making opponents uncomfortable is Beal's specialty. If she can do that to Jones, South Carolina's chances are that much better.

Final Four picks

Wednesday morning's updated ESPN Basketball Power Index tabs UConn as the favorite at 42%, followed by Stanford (32%), South Carolina (19%) and Arizona (7%). Here's how our panel predicts the final three games of the season will play out.

South Carolina vs. Stanford

Andrea Adelson: Stanford
Katie Barnes: Stanford
Charlie Creme: Stanford
D'Arcy Maine: Stanford
Kevin Pelton: Stanford
Mechelle Voepel: Stanford
Royce Young: Stanford

Arizona vs. UConn

Adelson: UConn
Barnes: UConn
Creme: UConn
Maine: UConn
Pelton: UConn
Voepel: UConn
Young: UConn

Predicted 2021 champion

Adelson: Stanford
Barnes: Stanford
Creme: UConn
Maine: UConn
Pelton: UConn
Voepel: Stanford
Young: Stanford

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Puro Sound Labs Sold by Father to Daughters - PRNewswire

Established in 2014, Puro Sound Labs is dedicated to fighting the growing epidemic of Noise-Induced Hearing Loss by providing healthy, affordable, high-quality listening products. Original founder Dave Russell learned that his youngest daughter, Nicole, had developed Noise-Induced Hearing Loss (NIHL) with doctors identifying her headphone's excessive volume as the likely cause. Without a safe alternative to the damaging headphones on the market, Dave set out to create the solution. Puro Sound Labs has since created the world's only studio-grade Bluetooth headphone that puts the safety of one's hearing first. Puro Sound Labs is committed to building awareness and the pursuit of reducing the impact of NIHL by developing new products and technologies to provide a solution to this growing epidemic.

"As a parent who is conscious of my children's hearing health, especially when it comes to sensory-related sensitivities, I can think of no greater joy than knowing Puro Sound Labs will continue to provide noise protection under the guidance of Ashley, Christina, and Nicole" states Puro Sound Labs original founder and CEO, Dave Russell. His daughter, Nicole Russell, added, "While Puro Sound Labs was founded from my personal experience with Noise-Induced Hearing Loss, Ashley, Christina and I are excited to move into the future with fresh ideas on inclusion to provide great sound with safety and comfort for all."

Ashley is a mother of two military kids herself (elementary and middle schoolers) and in her everyday life understands the need to protect their hearing.  Also, she recognizes that "school from home" is a way of life in the world and having a quality set of Volume Limiting headphones makes life much easier at home.

Though under new ownership, Puro Sound Labs will continue to work with KultureCity, including hearing protection in over 150+ major entertainment venues in KultureCity's Sensory Inclusion bags. The PuroCalm sound-isolating earmuffs, for instance, are tailored to provide 27dB of safe, comfortable, broad-spectrum noise reduction to protect from harmful noises in loud or disruptive environments, or where limiting distraction is needed. Especially designed and sized for children ages 1 to 92 years old, PuroCalm earmuffs feature heavily padded, rotatable and foldable ear pads that offer travel convenience and added comfort. PuroCalm earmuffs, which have a list price of $29.99 are for sale at Amazon.com and PuroSound.com. They are available in pink and green. For every pair that Puro Sound sells, an additional pair will continue to be donated to KultureCity.

Other Puro Sound Labs products include:  

The PuroPro Hyrbid ANC Volume Limited headphones are adult headphones that feature a built-in microphone, offer multiple levels of ANC, while also limiting the volume to either 85dB or 95dB. Offering up to 32 hours of listening, a high-quality protein leather design, and the Puro Balanced Response Curve, listeners can expect a studio-grade listening experience while also maintaining a safe and responsible hearing volume.

PuroPro headphones: $199.99  

While there are a number of companies making headphones for kids, Puro Sound Labs has been top-rated by experts for their dedication to preserving healthy hearing. For starters, their PuroQuiet headphones use advanced DSP to limit the volume to 85dB, which experts consider a safe level for up to 8 hours of listening. Puro also adds 26dB of active noise cancellation (ANC), which greatly suppresses outside noise, providing the optimum quiet environment for a premium listening experience. Add in wireless Bluetooth 4.0 connectivity, and up to 22 hours of battery life, and your kids can have wire-free studio-quality sound wherever you take them.

PuroQuiet Headphones: $99.99

The Puro Sound Labs BT2200's are Bluetooth headphones created specifically for kids and designed with the health and safety of a child as a priority. The BT2200's represent the first ever and only studio-grade Bluetooth headphones on the market made especially for kids with volume limiting hearing protection.

BT2200: $89.99

The Puro Sound Labs Junior Jams are volume limited on-ear headphones for kids with a built in microphone. They feature wireless Bluetooth v4.0 technology with a 30-ft. range! But don't worry about frequent recharging because the lithium-ion battery has a working life of 22 hours. They also include a unique daisy-chain cable featuring a built-in audio splitter that allows two headphones to connect with the same device.

Junior Jams: $64.99  

The PuroGamer headphones employ many of the outstanding features that earned Puro Sound Labs numerous awards for their original BT-2200 kid's volume-limited headphones, including high-quality, light weight, construction, plush and comfortable noise-isolating ear-pads, the outstanding clarity of their Puro Balanced Response Curve, and a 85dB volume-limiting filter to prevent hearing damaging volume levels. In addition to the sleek design, the PuroGamer headphones add a high-quality 50mm graphene driver, an omni-directional, detachable boom microphone, with noise canceling and anti-interference features for a competitive gaming edge. And they're designed to fit both kids and adults!

PuroGamers: $69.99

About PURO SOUND LABS
Established in 2014, Puro Sound Labs is dedicated to fighting the growing epidemic of Noise-Induced Hearing Loss by providing healthy, affordable, high-quality listening products. Founder Dave Russell learned that his youngest daughter had developed Noise-Induced Hearing Loss with doctors identifying her headphone's excessive volume as the likely cause. Without a safe alternative to the damaging headphones on the market, Dave set out to create the solution. Puro Sound Labs has since created the world's only studio-grade Bluetooth headphone that puts the safety of one's hearing first. Puro Sound Labs is committed to building awareness and the pursuit of reducing the impact of NIHL by developing new products and technologies to provide a solution to this growing epidemic.
For more information, visit www.purosound.com.

SOURCE Puro Sound Labs

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Sound Physicians Expands Critical Care Services in Greater Dallas - PRNewswire

TACOMA, Wash., April 1, 2021 /PRNewswire/ -- Sound Physicians, a physician-founded and led organization providing services across the acute episode of care, is expanding its critical care service in the greater Dallas region through its acquisition of Southwest Pulmonary Associates, LLP, a critical care and pulmonary medicine group based in TX. This new partnership includes four ICU programs and multiple post-acute facilities and pulmonary clinics. The Southwest Pulmonary team will continue to provide the full spectrum of pulmonary and critical care services to patients in the community.

The four new critical care programs from the acquisition are in partnership with a major health system in North Dallas.

"This partnership fits within our strategy to partner with high-quality critical care groups, top hospital systems, and exceptional providers. Southwest Pulmonary is a leader in the Dallas community and has built an outstanding reputation of providing the best care to patients and families for decades. We are excited to be working together," said Stephen Matchett, MD, Chief Executive Officer, Critical Care, at Sound Physicians.

Sound's critical care team will focus on continuous improvements in quality, patient outcomes, satisfaction scores, and financial performance through a unique blend of preeminent physician leadership, highly-engaged intensivists, advanced practice providers, and a proven performance management model. Sound Physicians has a twenty-year history of transforming outcomes across acute care episodes, including improved safety and patient outcomes in the intensive care unit.

Sound Physicians is a leading physician partner to hospitals, health plans, physician groups, and post-acute providers seeking to transform outcomes for acute episodes of care. For 20 years, our high-performing and affordable care models have combined physician leadership, clinical process, technology, and analytics to consistently improve clinical and financial performance. We are pioneers in value, working together with our partners and community providers to bridge gaps in patient care, from hospital to home. Visit us at www.soundphysicians.com.

This press release was issued through 24-7PressRelease.com. For further information, visit http://www.24-7pressrelease.com.

SOURCE Sound Physicians

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The sound of millions: Paul Simon joins trend, sells song archive - Al Jazeera English

Value of the sale to Sony was not disclosed, but Bob Dylan sold his back catalogue to Universal for an estimated $300m in December.

Paul Simon has sold his entire song catalogue to Sony Music Publishing, joining a string of older musicians cashing in on their life’s work.

Sony Music Publishing said on Wednesday the deal includes classic songs – ranging from Bridge Over Troubled Water to Still Crazy After All These Years – that Simon wrote and recorded over his 60-year career.

The value of the deal was not disclosed.

Simon, 79, a 16-time Grammy winner who in 2018 announced he was retiring from touring, said in a statement he was “pleased to have Sony Music Publishing be the custodian of my songs for the coming decades”.

The sale is the latest in a string of catalogue deals that includes the music of Bob Dylan, Stevie Nicks, Neil Young and Carole Bayer Sager in the past year.

Musicians such as Bob Dylan, left, have seen a surge in streaming demand for their songs during the coronavirus pandemic [File: Kevin Lamarque/Reuters)
Dylan sold his back catalogue of more than 600 songs in December to Universal Music Group for a purchase price that was widely reported as $300m. Other songs have been snapped up by London-based Hipgnosis, which has attributed the deals to a surge in music streaming, especially during the coronavirus pandemic when concerts and music festivals have been cancelled.

Companies can reap royalties from licensing the songs they have acquired for use in movies, commercials and branding deals.

Simon launched his career in the late 1950s as a folk singer along with his childhood friend Art Garfunkel. The duo turned out a string of 1960s hits including Mrs Robinson, The Sound of Silence, and The Boxer before splitting up. Simon embarked on a solo career that produced hit albums and songs including 50 Ways to Lose Your Lover and Graceland.

“From Simon and Garfunkel standards like Bridge Over Troubled Water to solo classics such as Graceland, Paul Simon’s music resonates deeply as a cultural touchstone for people all over the world,” John Platt, chairman of Sony Music Publishing, said in a statement.

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