Phil Lord does acknowledge that "we did favor the music to get your heart racing" while mixing, but is adamant that if the projectionists are playing the movie with the correct levels, the music shouldn't be getting in the way of the dialogue.
The creative team behind the movie must have been worried about the projectionists screwing this part up because they even made stickers that politely request theater staff play the movie at "7," the preferred volume for this one. Aka, crank that sucker up, boys!
This reminds me of Ben Pearson's deep dive into why major Hollywood movies were having sound issues. Christopher Nolan is famous for his movies being hard to hear. My guess is that what's going on with "Across the Spider-Verse" is that it's such a complicated mix that they fine-tuned it to perfection ... but in a perfect setting: a professionally calibrated mixing studio. You can't count on theaters even turning the volume to the correct levels, let alone having all their speakers optimized for this mix.
I didn't have much problem hearing the dialogue in my local Dolby Atmos theater, but that doesn't mean it's not an issue elsewhere. It'd be wonderful if all movie theaters put presentation first and foremost (bright screens, perfect sound), but that's not the world we live in, much to Phil Lord and Christopher Miller's dismay.
"sound" - Google News
June 03, 2023 at 08:30AM
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Spider-Man: Across The Spider-Verse's Phil Lord Addresses The Movie's Sound Mix - /Film - /Film
"sound" - Google News
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